EMBRACING COMPLEX PROJECTS, AMAZING PEOPLE, COLORFUL BRANDS

A FEW OF MY FAVORITE THINGS

CIFF PREMIERE: ARGONAUTS AT THE END OF HISTORY

Had the great pleasure of working with an extraordinary team on Sierra Pettengill's follow-up to her much-acclaimed Riotsville, U.S.A. — ARGONAUTS AT THE END OF HISTORY, had its world premiere at the Camden International Film Festival in September.

The film tracks the improbable voyage of the Fazisi — a Soviet sailing crew that entered the 1989–90 Whitbread Round the World Race just as the USSR was coming apart at the seams. Part sports epic, part historical reckoning, all ocean.

Produced by Noah Stahl and edited by Nels Bangerter, who shaped the film's layered architectureComposer Randall Dunn and his crew at Circular Ruin Studios delivered a thunderous score — vast, unsettling, and earned. Colorist Natacha Ikoli and the team at Nice Dissolve brought the grade home across a myriad of archival sources.

NOW STREAMING!

Our docuseries THE PRICE OF MILK is finally available to rent on Amazon Prime Video!

Before milk became a breakfast staple, it became one of America's biggest businesses. Directed by Nicholas Bruckman and Yoni Brook, the series tells the untold story behind the ’90s “Got Milk?” campaign, leading an investigative romp from the farmhouse to the White House, diving into the dairy industry’s grip on pop culture, politics, and the food on our plate.

From the White House to dairy farms, advertising campaigns to billion-dollar brands, this four-part Documentary+ Original uncovers the surprising history of the American dairy industry.

Also so proud to note the platform debut of HOLDING LIAT, which is now widely available to rent or own. As an independent release, word-of-mouth from the community is still the primary engine for people to discover this powerful film from director Brandon Kramer.

The Oscar-Shortlisted documentary is a rare and essential film that takes audiences deep into the human complexities of one hostage family’s divisions. Magnificently produced by Lance Kramer and Yoni Brook (who also served as director of photography).

A DECADE OF WONDERMENT WITH ALEX DA CORTE

One of the absolute joys of working at All Ages over the years has been getting acquainted with artist Alex Da Corte, a longtime collaborator from the city we call home whose work has only grown in scope and renown over the last decade.

From producing his music video work for the likes of St. Vincent, Tierra Whack and Kim Deal, to providing post support for his own installs - such as the exceptional Rubber Pencil Devil - time spent in his creative space is usually the highlight of any given year.

This past summer, we had the pleasure of overseeing both production and post on the film that serves as a gateway to his heralded Lichtenstein curation at the Whitney Museum in New York (Roy Lichtenstein: Like New) opening in October. It’s a breathtaking piece, serving notice against his recent inclusion on Time’s 100Art 2026 list. Congrats, my friend.

For over a decade, I’ve had the great pleasure of working with the exceptional human beings at All Ages Productions, a critically acclaimed Primetime Emmy, Peabody, Sundance, and Gotham award-winning production and animation company, specializing in telling the engaging and authentic human stories hiding in plain sight.

In that time, I’ve expanded their commercial and branded content portfolios, while helping to support their burgeoning development silo, with a focus on the award-winning oeuvre of director Ted Passon (Philly D.A., Patrice: The Movie).

Client list includes NBC Universal, Netflix, ABC News Studios, Disney, Hasbro. Old Navy, Microsoft, Sony Music Group and Xfinity, among others.